United States of Tara, a show about a woman with Dissociative Identity Disorder (DID), recently wrapped up its second season. I haven’t yet seen it, but I thoroughly enjoyed the first season—I love Toni Collette and Diablo Cody, and there are not a ton of shows about women by women. There are even less shows set in my home state of Kansas. It’s a funny, well-written, and on some levels well-executed show.
But, after rewatching and researching the show’s origins and authorship in a critical context, I was perturbed to realize that the show’s portrayal of disability was not only sensationalistic, but inherently based on appropriatiion. In United States of Tara, DID is used as a metaphor, an analogy, a plot point—part of the human experience, yes, but also an opportunity to speculate, crack jokes, and make grand statements about Life (normal life: that is, with able privilege) and Being A Woman (an everyday woman: that is, one who is not crazy).Finish reading here.